The author of the Hardy Boys Mysteries was, as millions of readers know, Franklin W. Dixon. Except there never was a Franklin W. Dixon. He was the creation of Edward Stratemeyer, the savvy founder of a children’s book empire that also published the Tom Swift, Bobbsey Twins, and Nancy Drew series.

The Secret of the Hardy Boys: Leslie McFarlane and the Stratemeyer Syndicate recounts how a newspaper reporter with dreams of becoming a serious novelist first brought to life Joe and Frank Hardy, who became two of the most famous characters in children’s literature.

Embarrassed by his secret identity as the author of the Hardy Boys books, Leslie McFarlane admitted it to no one-his son pried the truth out of him years later. Having signed away all rights to the books, McFarlane never shared in the wild financial success of the series. Far from being bitter, however, late in life McFarlane took satisfaction in having helped introduce millions of children to the joys of reading.

Commenting on the longevity of the Hardy Boys series, the New York Times noted, “Mr. McFarlane breathed originality into the Stratemeyer plots, loading on playful detail.”

Author Marilyn Greenwald gives us the story of McFarlane’s life and career, including for the first time a compelling account of his writing life after the Hardy Boys. A talented and versatile writer, McFarlane adapted to sweeping changes in North American markets for writers, as pulp and glossy magazines made way for films, radio, and television. It is a fascinating and inspiring story of the force of talent and personality transcending narrow limits.

For twenty-five years, Charlotte Curtis was a society/women's reporter and editor and an op-ed editor at the New York Times. As the first woman section editor at the Times, Curtis was a pioneering journalist and one of the first nationwide to change the nature and content of the women's pages from fluffy wedding announcements and recipes to the more newsy, issue-oriented stories that characterize them today. In this riveting biography, Marilyn Greenwald describes how a woman reporter from Columbus, Ohio, broke into the ranks of the male-dominated upper echelon at the New York Times. It documents what she did to succeed and what she had to sacrifice.

Charlotte Curtis paved the way for the journalists who followed her. A Woman of the Times offers a chronicle of her hard-won journey as she invents her own brand of feminism during the 1960s and 1970s. In the telling of this remarkable woman’s life is the story, as well, of a critical era in the nation’s social history.